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THREE:It has been the fashion in certain quarters to look down on these early thinkers��to depreciate the value of their speculations because they were thinkers, because, as we have already noticed, they reached their most important conclusions by thinking, the means of truly scientific observation not being within their reach. Nevertheless, they performed services to humanity comparable for value with the legislation of Solon and Cleisthenes, or the victories of Marathon and Salamis; while their creative imagination was not inferior to that of the great lyric and dramatic poets, the great architects and sculptors, whose contemporaries they were. They first taught men to distinguish between the realities of nature and the illusions of sense; they discovered or divined the indestructibility of matter and its atomic constitution; they taught that space is infinite, a conception so far from being self-evident that it transcended the capacity of Aristotle to grasp; they held that the seemingly eternal universe was brought into its present form by the operation of mechanical forces which will also effect its dissolution; confronted by the seeming permanence and solidity of our planet, with the innumerable varieties of life to be found on its surface, they declared that all things had arisen by differentiation8 from a homogeneous attenuated vapour; while one of them went so far as to surmise that man is descended from an aquatic animal. But higher still than these fragmentary glimpses and anticipations of a theory which still awaits confirmation from experience, we must place their central doctrine, that the universe is a cosmos, an ordered whole governed by number and law, not a blind conflict of semi-conscious agents, or a theatre for the arbitrary interference of partial, jealous,6 and vindictive gods; that its changes are determined, if at all, by an immanent unchanging reason; and that those celestial luminaries which had drawn to themselves in every age the unquestioning worship of all mankind were, in truth, nothing more than fiery masses of inanimate matter. Thus, even if the early Greek thinkers were not scientific, they first made science possible by substituting for a theory of the universe which is its direct negation, one that methodised observation has increasingly tended to confirm. The garland of poetic praise woven by Lucretius for his adored master should have been dedicated to them, and to them alone. His noble enthusiasm was really inspired by their lessons, not by the wearisome trifling of a moralist who knew little and cared less about those studies in which the whole soul of his Roman disciple was absorbed.And although they also promised to do everything in their power to prevent lack of food in Belgium, they have bled to death the unfortunate country by continuous impositions and taxes, and thrown many into poverty and misery.

THREE:��Honour and wisdom are but empty names

THREE:He was angry and afraid at the same time. Twice already the same policeman had passed the black motor, and had examined it critically. The third time he came round he would be pretty sure to want to know why it was still there. If----CHAPTER V. THE SPIRITUALISM OF PLOTINUS.

THREE:It is possible, we think, to trace a similar evolution in the history of the Attic drama. The tragedies of Aeschylus resemble the old Ionian philosophy in this, that they are filled with material imagery, and that they deal with remote interests, remote times, and remote places. Sophocles withdraws his action into the subjective sphere, and simultaneously works out a pervading contrast between the illusions by which men are either lulled to false security or racked with needless anguish, and the terrible or consolatory reality to which they finally awaken. We have also, in his well-known irony, in the unconscious self-betrayal of his characters, that subtle evanescent allusiveness to a hidden truth, that gleaming of reality through appearance which constitutes, first the dialectic, then the mythical illustration, and finally the physics of Plato. In Aeschylus also we have the spectacle of sudden and violent vicissitudes, the abasement of insolent prosperity, and the punishment of long successful crime; only with him the characters which attract most interest are not the blind victims, but the accomplices or the confidants of destiny��the great figures of a Prometheus, a Darius, an Eteocles, a Clytemnestra, and a Cassandra, who are raised above the common level to an eminence where the secrets of past and future are unfolded to their gaze. Far otherwise with Sophocles. The leading actors in his most characteristic works, Oedipus, Electra, Dejanira, Ajax, and Philoctetes, are surrounded by forces which they can neither control nor understand; moving in a world of illusion, if they help to work out their own destinies it is unconsciously, or even in direct opposition to their own designs.208 Hence in Aeschylus we have something324 like that superb self-confidence which distinguishes a Parmenides and a Heracleitus; in Sophocles that confession of human ignorance which the Athenian philosophers made on their own behalf, or strove to extract from others. Euripides introduces us to another mode of thought, more akin to that which characterises Aristotle. For, although there is abundance of mystery in his tragedies, it has not the profound religious significance of the Sophoclean irony; he uses it rather for romantic and sentimental purposes, for the construction of an intricate plot, or for the creation of pathetic situations. His whole power is thrown into the immediate and detailed representation of living passion, and of the surroundings in which it is displayed, without going far back into its historical antecedents like Aeschylus, or, like Sophocles, into the divine purposes which underlie it. On the other hand, as a Greek writer could not be other than philosophical, he uses particular incidents as an occasion for wide generalisations and dialectical discussions; these, and not the idea of justice or of destiny, being the pedestal on which his figures are set. And it may be noticed as another curious coincidence that, like Aristotle again, he is disposed to criticise his predecessors, or at least one of them, Aeschylus, with some degree of asperity.